
Private Collection
Ganesha of Inner Shrine
FROM A QUIETLY HELD PRIVATE COLLECTION, INDIA.
INSPIRED BY HOYSALA PERIOD, CIRCA 12-13TH CENTURY SOUTH INDIA.
A temple-inspired marble Ganesha, defined by restraint and intricate detail. Finished in a soft antique patina, evoking timeless sanctity. From a private Indian collection.
Anantatraya Vishnu
ACQUIRED FROM A REGIONAL PRIVATE COLLECTION, INDIA.
INSPIRED BY LATE CHOLA PERIOD, CIRCA 11-13TH CENTURY SOUTH INDIA.
A rare triadic form of Vishnu uniting Narasimha and Varaha—embodying protection and cosmic restoration.
From an anonymous private collection, it stands as a singular, collector-grade work.
Ālaya Devī
Inspired by Hoysala temple sculpture, with architectural and compositional echoes of late Chalukyan traditions.
A sculptural form inspired by medieval Indian temple traditions, distinguished by its intricate surface articulation and composed presence. The work carries a quiet material depth, with natural patina and tonal variation enhancing its sense of age and authority.
Collector Note
To be sourced exclusively for the most discerning collectors.
Hiranya Lakshmi
Inspired by the Vijayanagara tradition, circa 14th–16th century, with ornamental nuances reflective of Nayaka ateliers
A composed marble form embodying quiet symmetry and layered ornament, with a presence that feels both grounded and infinite.
From a private collection, Hyderabad.
Collector Note
To be sourced exclusively for the most discerning collectors.
Vishwakosha Narayana
Inspired from Eastern Indian Sacred Relief Tradition (Pala–Sena Influence) Circa 9th–11th century, with resonances of early Himalayan temple idioms.
A sculptural fragment conceived as a circumambulatory sacred form, articulated through densely layered shrine niches and rhythmic architectural carving — evoking the metaphysical idea of the divine as an infinite, all-encompassing presence.
Collector Note
From a distinguished private collection, Kolkata
Adi Vighnesha
Southern India, circa 16th–17th century style.
An exceptionally rare multi-figure Ganesha composition, distinguished by its sculptural density and refined narrative balance. Formerly held in an anonymous prominent Jaipur collection, the work embodies collector-grade rarity, with nuanced patina, intricate carving, and a commanding yet intimate devotional presence.
Collector Note
From a prominent private collection, Jaipur
Rta Varaha
Inspired by the Eastern Ganga sculptural tradition of Odisha, circa 12th–15th century, reflecting the architectural vocabulary of Kalinga temple carving.
An exceptional Varaha composition of notable sculptural density and presence, formerly held in a private c collection Kochi — distinguished by its refined carving, layered iconography, and rare narrative completeness.
Collector Note
From a private collection, Kochi
Adhokshaja Vishnu
Inspired by the late Rajput temple ateliers of North India, circa 17th–18th century, characterized by refined ornamentation and composed devotional presence.
A finely carved marble head of Vishnu, depicted in his transcendent aspect as Adhokshaja, characterized by serene expression and balanced, idealized features. The delicately rendered headdress and nuanced surface patina reflect a refined sculptural sensibility rooted in North Indian devotional tradition.
Collector Note
From a private collection, Udaipur
Shri Maheshvara Sthitaprajña
Inspired by the Western Indian temple sculptural tradition, circa 10th–12th century, reflecting the stylistic language of the Solanki (Chaulukya) period.
A finely carved stone figure of Shiva as Maheshvara, embodying serene authority and meditative stillness. The balanced stance, intricate ornamentation, and surrounding relief elements reflect the refined sculptural language of Western India, enhanced by a naturally evolved patina and subtle surface wear.
Collector Note
From a private collection, Ahmedabad
Padmavilāsinī Apsarā
Inspired by the 10th century Central Indian temple sculpture tradition, drawing from the refined sensuality and ornamentation of the Chandela period (Khajuraho, c. 950–1050 CE)
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